Boundless Bellows

Hakemuksen tiivistelmä

I am applying for the Saari residency program to dedicate myself to an in-depth exploration of extended performance techniques for the diatonic harmonica and to develop a drone-like composition for many (around 20) harmonica players moving in a resonant space. I'd like these piece to be played easily by both amateur and professional musicians and by players of different ages. I believe that the harmonica, because of its simple construction, fosters an experimental, collective practice that brings together people with diverse skill levels. Furthermore the connection to breath (the harmonica produces sound both inhaling and exhaling) produces a somatic effect, connecting the players to their own and other players breath. A inspiration for this project is the work of composer Pauline Oliveros. Some questions arising at this stage of the project: What kind of polytonality can be achieved composing with many diatonic harmonicas in different keys? How do 20 harmonica players sound moving in a resonant space? What sonic variations can be achieved through intentional combinations of rhythmic breathing patterns, multiphonics and other extended playing methods? I am interested in transforming the seemingly simple act of blowing and drawing on a harmonica into a multidimensional soundscape. In my research, I particularly incorporate found, second-hand harmonicas, not only for their economic and ecological sustainability but also for their uniqueness and the stories they carry. My goal is to rethink the harmonica as an instrument for innovative musical practices, experimenting with the harmonica’s sonic possibilities and inclusive potential. I would love to involve the other residents in this research, creating a Saari Harmonica choir practice for example.