Grants and residencies Arts Among physical and metaphorical tools Main applicant Master of Education, Visual Artist Lütjohann Jan Amount of funding 60000 € Type of funding General grant call Fields Visual arts Grant year 2020 If you are the leader of this project, you can sign in and add more information. Log in Share: Back to Grants listing Application summary At the heart of this project are wooden sculptures that take the shape of tools, equipment and workspaces. The sculptures are performative objects that invite the hand for touch and let us conceptualize the action of using them. I use pre-industrial tools and obsolete technology to contemplate working with hands in contemporary society. During the working period I will make wooden sculptures and installations, hold exhibitions and workshops, and carry out performative fieldwork. My artistic work contains approaches from the fields of craft, education and anthropology. Working entirely by hand enables me to work independently of electricity, take my tools anywhere and to connect with people and different forms of knowledge. My workshops, collaborations and performative fieldwork aim to empower participants and argue that craft, initiative and sensibility for material are common to all of us and independent of background or ability. In my work I use both literal tools (physical objects that shape material) and metaphorical tools (practices that bring forth social changes). The overarching goal is to unite both qualities. The forests and the hand-tool technologies that are vital to this project exist at scales much larger than a human life. My work views the things we do, think and feel over the span of several generations and sees art as a long term cross-generational effort. It makes approachable what is otherwise thought of as lost, obsolete or unattainable. It evaluates the possibilities of historical and current material knowledge as a powerful strategy for an uncertain future. Project report summary During the two years I produced new artwork, held solo exhibitions, participated in curated group exhibitions, hosted a long series of workshops, spoke at conferences, and developed my practice. In addition to my studio, Helsinki area, and southern Finland, I worked at residencies in Poland, Lithuania, Estonia, Sweden, and Taiwan. My collaborations and fieldwork resulted in many meetings, conversations, and connections with partners from different professions and publics. Even though the grant period was shaped by the circumstances of the coronavirus pandemic, good work was possible. I am glad to have worked several hundreds of days with tools, wood, and people. Back to Grants listing